D-MON | 6
5.1 rooms for Post-Production
D-MON | 12
3D mixing rooms (7.1.4)
FULLY FLEXIBLE SOFTWARE INTEGRATION
The D-Mon will fit exactly into your studio configuration. Whatever your speaker sets may be, whether your mixes are in stereo, 5.1, 7.1 or even 7.1.4 and all their possible combinations.
ENHANCED SUMMING & ROUTING
No session is like another and sound engineers always have to make the special routing of the day when it comes to recording or mixing a program. Convert an analog feed, plug the producer’s smartphone who wants to get you to listen to his latest hit or insert that special valve ‘RevCompEq’ mandatory for the singer’s headphones.just ready to set your routing up.
ADAPT TO YOUR DAILY WORKFLOW
No session is like any other one, so you’ll be setting the D-MON Processor to carry exactly what you need. Just declare whether your Main Mix is made out of a stereo or a surround feed and choose which inputs make your Alternate 1 and 2 which can also be in various formats
READY FOR AUDIO OVER IP
Add both an AoIP source and destination to existing D-MON machines, in a Ravenna/AES67/SMPTE 2110-30 compatible mode. It uses the common network machine port.
This option requires a clock master device elsewhere on the network and will be available in Q3 2020
A UNIQUE COMBINATION OF PROFESSIONAL FEATURES
Both Analog and Digital professional inputs and outputs, providing the most pristine sound quality over a modular set of I/O.
Integrates easily through standard protocols into the most complex audio ecosystems from midi and GPIO to Avid and EUCON protocols, the free D-MON app (macOS).
A zero latency Switching Matrix to route all signals easily and make any patch set in seconds
An Internal Mixer which can create various sums of stems, mains or aux mixes, from discrete inputs to any talkback/listen back feed
Trinnov’s Optimizer to perfectly tune any speaker set to the actual acoustics of the control room.
MADE FOR ONE ANOTHER
Our brand-new hardware remote controller “La Remote”
is the perfect companion to our DMON line of processors.
Access all monitoring function by the touch of a button.
Customize all buttons and labels to your workflow.
Easy set-up via our web based configuration software.
Added talk back microphone and headphone volume knob.
IN & OUT FOR NOW AND THE FUTURE
Up to 16 Digital IOs (AES) to provide for the most complex sound mixes but also multiple aux sends, sub-groups or even stems.
A switchable 8-channel Digital Insert to hook up an external processing and make instant A/B comparisons or the mastering final cut
Up to 8 Analog Inputs able to be assigned as a Cue, the Talk-back or just used as external sources to be converted to digital for whatever reason
From 12 to 16 Analog Outputs offer all possibilities to address multiple sets of loudspeakers, headphones and outboard gears, all at the same time
THE MULTI-PURPOSE I/O CONNECTOR
Midi, Headphones out, Talk-Back in all wired for the Eucon Protocol®, allowing to replace an X-Mon® in a completely seamless way
GPIOs are located there too, so linking to other equipment for synchronizing switches, lights or a simple pedal is immediate and easy
Several layers of 31 bands Graphic EQ, FIR EQ, gains, polarity and delays available for every channel
Total delay given in meters/milliseconds/frames for the listening point and adjustable global delay for accurate Lip Sync; Front / Surround / Top balance